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Causality reexamined

 

The trick is to extend a proposition to something which has little or nothing in common with the matter in question but the similarity of the word; then to refute it triumphantly, and so claim credit for having refuted the original statement.

Arthur Schopenhauer





It is one of the few injustices in Bertrand Russell's History of Western Philosophy, that he failed to appreciate Schopenhauer's thesis for his doctorate. But it is really one of the seminal documents conclusively closing a debate which had begun with Descartes and was carried to the extremes by Berkley, David Hume and Immanuel Kant. Schopenhauer was very much a no nonsense thinker who felt nothing but contempt for people like Hegel (his bête noir) or Fichte. He had an open mind for the sciences, yet came a bit too early for Gregor Mendel and Darwin. So Schopenhauer proposed his philosophy of a blind, but all-pervasive will behind the shifting specter of never ending changes.

There are many ways to understand the meaning of philosophy, but I believe Bertrand Russell had put it best: "Is there anything we can think of which, by the mere fact that we can think of it, is shown to exist outside of our thought? If yes is the right answer, there is a bridge from pure thought to things, if not, not." Schopenhauer was trying to answer this in his fourfold exposition of the "principle of sufficient reason," and it is as good an answer as anybody possibly could give, who is putting himself under the constrains of Berkeley's idealism. It is Schopenhauer's refutation of Hume's skepticism.

David Hume concluded that causality is a common bias which 'a priory' enables us to operate on our empirical sensations, yet ”out there” is nothing but the coincidental proximity of recurring phenomena. (The question “why” and “how” did not occur to thinkers of this age. The – to us – obvious answer, that organisms with a different bias go extinct and therefore our notion of causality must correlate to something real, would have been dismissed as to too simplistic and beneath our dignity.) Yet philosophical idealism does have its merits. It directs our attention to the fact that the mind’s projection of what is perceived to be the external world is not necessarily a correct representation of the empirical phenomenon as such. And if that is so, why does a sensibility based on the concept of causality operate so efficiently?

Schopenhauer was a classical rationalist of the old school. Like his master, Immanuel Kant, instead of postulating a convenient set of inborn instincts or acquired intuitions, he prefers the premise, that there is a logical reason, an axiomatic necessity, for the way we slot and pigeonhole perceptions and employ our operative ideas. So how does this work?

In essence Schopenhauer takes "perception" not to be a product of our sensations, but of understanding. In other words, what our senses present to our cognition is already no longer raw data, but a percept, a ready to use element, crafted and shaped by the four linchpins of common sense: causation, plausibility, geometric features, and psychological motivation. So there is a chain of mental events: sensation is converted by an act of recognition to become a perception. From this it is only one logical step further to Schopenhauer's first premise of his mature philosophy that the world is "my will and representation," because the "objective world" which we naively take to be given to our senses is in fact a product of processing data by our senses. To illustrate this point just consider how the mind compensates for mild astigmatism: the afflicted still perceives a correct picture of the object. And this is a faculty animals seem to share with us. What makes man different is the scope and sophistication of his percepts.

Schopenhauer is at his best in his exposition of causation. By shifting it from a relationship between things to a relationship between different states of things, he shows the fallacy in Hume's skepticism. It is not the sun as such that melts the snow but the absorption of heat causes in water a change from crystalline to liquid – two stages of the same thing. This causal relationship between changes is judged to be necessary and not merely to be an incidental regularity. Our exposure to such regularities authorizes what Schopenhauer called a "hypothetical judgment" or in modern parlance a "counterfactual inference."

But our absolute trust in such judgments comes from nowhere but from within ourselves. It is a feature of our sensibility and we apply it on every event we can imagine, and not just on events from actual experience. It forms the kind of intuition that makes us “a priory” look for things to happen in a certain way. Schopenhauer then continues to explain the age old philosophical adage, that no thing ever comes into being or ceases to be.

We observe changes. Matter, which always has existed, undergoes certain transformations; it loses certain properties and acquires others, until, at a given point, it presents itself as a flower. Eventually the flower will perish but its matter doesn't simply disappear. It turns to compost, thus feeding the seeds of new plants and so on in infinity, in ever changing configurations of matter. In other words, notions of a "first cause" (and its theological implications) are dismissed as baloney. "Causation," Schopenhauer notes, "is not like a hired cab which one dismisses once it has arrived at its desired destination."

Modern science seems to be on a speeding train away from such quaint exposition of the works of common sense. We have entered the realm of counter-intuitive phenomena and the facts of modern physics require new logical tools. These days the more respectable section of modern philosophy occupies itself with symbolic logic and algorithms. The rest of us is just satisfied that the world fits into our thoughts because we fit into the world.

© – 5/9/2009 – by michael sympson, 1,000 words, all rights reserved

Proprietary Notice: © – 04/10/2003 – by michael sympson. Text may be downloaded for personal use, provided all copies retain the copyright and proprietary notices. No material may be modified, edited or taken out of context. Any commercial use in advertising or publicity requires permission in writing by the author’s estate.

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