In this Issue: The Approach to Al Mu'tasim: Jorge Luis Borges • The Last of the Hebrews: Jeremiah newI shall not be forgotten: Sappho newThe Cosmopolitan (by Theodor Mommsen)Memory is the Writing on the WaterThe Characters (by Theophrastus)The Road to EmmausThe Dispensation of the One: PlotinusThe Wizard and his NieceHomoousion, Homoiousion, or Houyhnhnms? new Keeping the Faith: Quintus Aurelius Symmachus new • An Age of Magic new The Worm in Eve's Apple newA most useful Old Book • A Frenchman's Itinerary: Michel de MontaigneWas he for real? Descartes My Great-Great Grandmother’s LetterA hot Chestnut in the open Fly: Laurence SterneAll in the Mind: Immanuel Kant new • Into the Crystal you shall fall: E.T.A. Hoffmann newOn the Manufacture of Ideas while we speak (by Heinrich von Kleist)From the Memoirs of Mr. Schnabelewopski, Esq. (by Heinrich Heine) The Elements of Style (by William Strunk)At the PicturesThe TerminalAbout MeBooks I enjoy reading • If E.T. is out there, why doesn’t he visit us?Where does the Lake go, when the Geese fly to Canada?A Directory to the AfterlifeEvoe!
From the Memoirs of

From the Memoirs of Mr. Schnabelewopsky, Esq

by Heinrich Heine

 

My mother packed my valise with her own hands. To every shirt there was a piece of good advice attached. Soon after the laundry ladies have it all washed away.

Heinrich Heine






Harry Heine (1797 – 1856) was born when Johann Wolfgang von Goethe was the undisputed doyen of German literature. Once he and Heine even met. Heine says, he was walking from Jena to Weimar, Goethe’s domicile, and on the way plucked a few plums from trees along the road. Eventually he encountered the great man and the first thing that came out of his mouth was, how sweet these plums had been. “There I had thought all afternoon what I should say to Goethe and how to make an impression, and all that came out was, that the plums are sweet” (Heine, The School of the Romantics).

At that time Heine had already a reputation. His collection of poems was extremely popular. So popular in fact, that when a century later the Nazis tried to purge Jewish authors from German literature, they didn’t remove the poems themselves but changed the name of the author. Heinrich Heine became Mr. Anonymous. So it is no surprise when after Goethe’s death many people thought, including Heine himself, that he had become – to borrow T.S. Eliot’s phrase – the “king of the cats.” Which he was, he had tons of talent to burn, despite the fact that there were others, like Clemens von Brentano (1778 – 1837) who squandered their talent by the shiploads. Heine said about him: “Have you heard of the tiny Chinese princess who passes all day in her pagoda, tearing to bits precious sheets of silk with her long fingernails?

Heine was a journalist and showman who never missed a scandal; he would resort to personal libel and knew how to ruin a reputation. Who would still read the poet von Platen or Heine’s compatriot and competitor in exile, Karl Ludwig Börne (1786 – 1837), if not for Heine’s brilliantly performed assassinations. Not everybody approved, but Heine said to his critic: “You may be right, but isn’t it a piece of superb writing?” No wonder that he fell foul of German censors. Forced to leave the country, Heine became very “famillionaire” with Baron Rothschild, and later married a Belgian woman, Mathilda, the companion of his final years. He died in exile and is buried in Paris. His wife was a very down-to-earth woman; when Heine suffered a stroke she screamed at him, “Henry, Henry, don’t you dare dying on me. Today my parrot died, and if you go, what shall become of me?”

 

michael sympson  

Chapter IX

When the pot-roast was particularly bad, we turned to debating the existence of God. The good Lord always was with the majority. Only three at the table held atheistic views; yet they as well listened to reason if we had at least a good cheese for dessert. The most zealous theist was little Simon, and whenever he debated with the tall Vanpitter the existence of God, he sometimes became extremely agitated, paced up and down the room, and couldn’t help shouting: “By God, this cannot be permitted!” The tall Vanpitter, a gaunt man from Friesland, whose soul drifted as quietly as the water in a Dutch canal and whose words pulled along as steady as a river barge, acquired his arguments from the warehouses of German philosophy, which at the time was all the rage in Leiden.

He mocked the narrow-minded people that would attributed to the good Lord an existence of his own, he even accused them of blasphemy, insofar as they depict God as full of wisdom, justice, love and similar features of human nature, which doesn’t suit him at all, since these characteristics, in a manner of speaking, are the negation of human failings and so had been conceived as the opposite to human stupidity, injustice and hatred. Yet when Vanpitter developed his own pantheistic ideas, the fat Fichtean, a certain Driksen from Utrecht, stepped up against him, and managed to give his somewhat vague and all pervasive God, who therefore is still existing in space and time, a run for his money; he even asserted, it would be already blasphemy to permit the term “existence of God” as a form of expression, since “existing” is a concept that demands a certain space, in short something substantial. In fact it would be blasphemy to say about God “he is;” because even in its purest form, “existence” cannot be imagined outside of the boundaries of the sensual world; so if one wishes to think about God one must take away all semblance of substance and one should not consider him as a form extended in space. Instead one should think of an order of events; God would not be a being, but pure activity, the underpinning principle of a metaphysical world-order. These arguments, however, utterly enraged the little Simon every single time, and pacing up and down the room, he screamed ever more frantically and louder: “Oh God! By God, this is not permissible; oh God!” I think for the honor of God he would have pummeled the fat Fichtean, had his little arms not been too thin.

There were moments he actually jumped at him; in which case the fat man took hold of little Simon’s arms, and keeping him steady, quietly explained his system without taking his pipe from the mouth, blowing at his face tobacco smoke and his rarefied arguments, so that the little fellow almost choked from smoke and anger, and imploring for help, whimpered in a flagging voice: “Oh God! Oh God!” But God never came to his aid, although it was a fight for his own cause. Yet despite this divine indifference and in spite of this almost human ingratitude of God, little Simon remained the staunch champion of theism, and this, I believe, from an inborn inclination. Because his forefathers once had been God’s chosen people, a people who God had graced with his personal affection, and who therefore have preserved a certain attachment to the good Lord.

The Jews have always been the most obedient theists, especially those, who, like little Simon, are born in the free city of Frankfurt. In political matters they may feel as republican as they please, even roll in the mire with the French Sans-culottes; yet when religious ideas come into play, they remain the subservient retainers of old Jehovah, this ancient fetish, although he doesn’t want to be seen in their company anymore and has undergone a facelift to become the spirit of pure divinity.

I do believe, this spirit of pure divinity, the latest parvenu in heaven, who is now coming down on us so full of morality, cosmopolitanism and universal wisdom, may actually hedge his secret misgivings against the poor Jews who still recall the crudity of his previous manifestation and continue to commemorate in their synagogues him and his obscure tribal origin. Maybe the old gentleman no longer wants to know that his origin was in Palestine and that he was the God of Abraham, Isaac and Jacob, and that his name had been Jehovah.

© – 4/4/2009 – translated by michael sympson, 1,200 words, all rights reserved

Proprietary Notice: © – 04/10/2003 – by michael sympson. Text may be downloaded for personal use, provided all copies retain the copyright and proprietary notices. No material may be modified, edited or taken out of context. Any commercial use in advertising or publicity requires permission in writing by the author's estate.
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